Learning Farsi on 테헤란로 Teheran ro

One-To-One Performance & Installation

Bread & Salt, San Diego, California 2019
Mare Culturale Urbano, Milan Italy, 2018
Teatro La Compagnia, Florence, Italy, 2017

About the performance

Is there a chapter in your family’s history that is too painful to write? This performance is about how self-acceptance created a pathway to actualizing self-love while living between languages and cultures. In 1976, a diplomatic connection between the mayors of Seoul and Tehran marked more than the naming of streets; encountering a public statue symbolizing a bilateral agreement for cooperation initiated a personal journey to learn to love oneself through integrating a language that once felt distant and foreign in one’s country of birth. During this encounter, the performer shares the ways in which Farsi cannot be fully translated into English. However, in a Korean context, new understandings for exploring multiple identities and relationships are created, nurturing healing across generations through language exchange. After enjoying tea, participants will be invited to write their version of the final chapter of Learning Farsi on 테헤란로 Teheran ro. 


Learning Farsi on 테헤란로 Teheran ro is the second performance in the Waking Up Iranian American series. The project is an autoethnographic work focused on the ways cultural exchange develops between a performer and a participant. These encounters create a space where people are invited to participate in discussions and actions about being between cultures, nationalism, and Islamophobia, so that we might move beyond antiquated notions of free and oppressed. In this sense, the dialogical framework of the performances is a form of collaboration and, in its broadest sense, a key to changing power relationships between performers and participants. In Waking Up Iranian American, social intimacy is used as a strategy to counteract the positioning cultures of fear intend to create.


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